Wednesday, October 1, 2014

The Well Designed Environment or Emily Rutledge's Artist Studio


I Can, 36"x28", encaustic, spray paint, marker and image transfer on cradled panel,
 2014 copyright Emily Rutledge

True confession...Emily Rutledge is one of the first artists to "friend" me on Facebook. To me, that small gesture was touching...because I was looking for community. Through her, I have met many other artists, seen work that made me drool, and had some fabulous art conversations. note: I met Alicia Forestall-Boehm through Emily.

Emily's work is gestural, textural, and frenetic. Inspired by graffiti and street art, she manages to combine a abstract expressionist sensibility with a love of all things urban.

Her studio is the sort of space artists dream about. It is a "classic" loft,  located in an old warehouse building in Chicago. For me, the best part of her space are the windows. Not only are they huge, they let in a fantastic amount of light.  

Welcome to Emily Rutledge's studio....



1. My messy floor and work table along with a couple of pieces in progress.


2. My work table below my wonderful north facing windows. The windows are one thing I love most about the space


3. Lots of big white walls ! When I first moved to this studio I immediately felt so free and started working.


4. Hot wax on my R and F palette.


5.  Crusty brushes that I never clean ! Guaranteed to make any artist weep.I am an art slob.



6. My handy studio notebook that I use to jot down titles ,reminders of what I need to focus on in the studio,ideas...



7. My trusty Wagner heat gun.




8. The floor of my studio is littered with pulp from doing image transfers.Messy !!




9. Spray paint -a tool of the trade-I have tried many brands but always come back to Rustoleum cause even I can't clog the nozzle !

This Saturday, Emily's studio building will be hosting an open studio event. This would be a great chance for you to see tons of other artists' studios at one time!  Here are the details for those of you who are in the area.  

You are invited to attend Open Studios on 
Friday, Oct 3 from 3-8:00.

Please join us for a festive gathering .
Many artist will open their studios 
inviting the public in for the first time
to see where the creativity takes place.
Artists will show their work in a variety of mediums.
Hope to see you in the studios!
1456 N. Dayton St.,Chicago ,IL 60643
or 855 W. Blackhawk (2 ways to enter our building)

To read and see more about Emily Rutledge and her work, go to her website at http://emilyrutledge.com/index.htm .  

If you were to take photos of your studio, how would you do it?  What are some of the things you like best about your workspace.

Happy Creating and ONWARD!

Mary

The Well Designed Environment or Alicia Forestall-Boehm's Artist Studio

Coming Together, 9”x12”x13”, encaustic, cheesecloth, wire, 2012 copyright Alicia Forestall-Boehm
I have a dirty, little secret...personal spaces.  To say I am obsessed with peoples living and work environments would be an understatement.  I'm especially fond of artists' studio because they tend to be makeshift, functional, and oh, so personal.  Almost like birds' nests.  


As part of my series "The Well Designed Environment", I have the pleasure of bringing you the first of hopefully many artist studios. This series is especially dear to my heart because I've chosen my friends. Some of these spaces are the "classic" artist studio in a warehouse or loft and others are spaces the artist has claimed in their homes.  

Our first studio is Alicia Forestall-Boehm's.  Alicia is a Chicago based, encaustic artist whose encaustic pieces are textural, colorful, and extremely tactile.  How she manages to create work in such a small space amazes me.  

Welcome to Alicia's studio...or in her own words...Bigger Isn't Always Better


I maintain a dedicated in-home studio space which has the benefit of financial feasibility and accessibility but also has the challenges of inherent space limitations.


While my tiny 7’x13’ studio has its constraints, its size encourages creativity and the development of innovative solutions to simple spatial problems.


For example when I created a sculpture that began with a form that was 9 feet long I created a temporary work surface to satisfy this need. 
http://afboehmnews.blogspot.com/2012/05/process-of-making-new-sculpture.html 


Creative organization is key in a small studio space making it an “everything in its place” kind-of space. 

I hope you enjoyed the tour. To see more of Alicia's work and to read about "the why" of what she does, go to her website at this link.  

How about you?  What kind of studio do you have? What would be your dream space? For more inspiration and to view my photo collection of artist studios, you can visit my Pinterest Board "Artists and Their Studio".  At this link, you'll see lots of ways to carve out a creative space.

Onward!

Mary

Friday, September 5, 2014

The Roots of Your Art



This Summer I wanted to find out how:

you can discover your creative process.
you can take a look within. 
you can listen to your inner voice. 
you can discover your personal way of making marks
 you can get to the roots of your art!



So, I found colors that made my heart sing. 




Discovered marks that only my hand could make.


Played with textures, surfaces, and goos.


Created TONS of raw materials.


Painted Brushstrokes the size of a small child's head.  



This Summer, my experiments ran the gamut...from success to failure. 
The voice in my head consistently, and insistently said, 
"That's isn't possible" . 
I learned to ignore that voice and keep moving.

This Summer, I got to the root of my creative process. 
I saw what I was/ am capable of.  

Then I took all my research and
translated into lessons, prompts, and exercises...
For you!



How was your Summer?

~

I believe that one of the greatest gifts you can give yourself is 
permission to be creative. 
To get to the root of your art. 
To see what you are capable of. 
To look within and discover your personal art making language 
and
then to speak it!


All workshops are designed to help you experiment, explore, and discover. 
We'll use music, traditional and non traditional techniques, 
collage, and painting. 
You'll learn "the rules" and 
then we'll break them. 
You'll get one step close to being comfortable, confident, 
with how you make art. 
 You'll want to keep going!

Did I mention there will be laughter? 

All this will teach you how
 to create work that expresses you! 


Won't you join me?

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Perhaps you took the Summer off, or haven't given yourself permission to create.  Fall workshops are right around the corner. Welcome this chance to reignite your passion for creativity, and discover 
the roots of your art!

Join me for the The Roots of Your Art Workshop on 
Wednesday,  October 1st from 11:00-4:00

This 5 hour workshop, will include hands on exercises in mark making, fun experiments with juicy color, and explorations into transparency. All designed to help you let go of you inhibitions and discover your personal way of making art. Techniques are rooted in the art of collage and painting.

You will leave with tons of raw materials, a few completed collage, and an understanding that you are a creative person. You were born that way.

Emphasis is on having fun and play!

Details:
The workshop meets on Wednesday, October 1st at 11:00 am - 4:00pm.

Location: Gilded Pear Gallery, 808 3rd Ave SE, Cedar Rapids, IA 52403.  Telephone # (319) 366-0205.

Please wear comfortable clothing that you can get messy.

Cost is $70.00, I will supply all Golden Paints and Mediums, paper, and tools. To register, please go to my website. I've listed all the details.

This workshop has a maximum of 6 students and a minimum of 4.

Join me for the The Roots of Your Art Class 
Thursday, October 9th, 16th, 23rd, 30th  November 13th, and 20th!

Have you ever been to an artist's studio?  If not, this 6 week class will be your opportunity. Join me as I host a special in depth workshop in my studio.

During the class, we'll dig down deep and explore techniques and concepts designed to allow you expand your artistic practice,  develop your own artistic signature, and get to the roots of how you make art. There will be fun experiments in color, abstraction, and composition, aIl rooted in easy to understand, light hearted exercises. Techniques stem from the art of collage and painting.

In the end you will leave with several completed pieces, have a better understanding of how you make art, and ideas to move forward in your artistic practice.

In addition, I will share with you some "best practices" for your  own studio.  Ideas span from studio organization to environmental tips..and more!

This class is designed for individuals with different art making experience. Consider this a refresher or introduction. Emphasis is on letting go and having fun!

Details:
The workshop meets on Thursday evenings, October 9th, 16th, 23rd, 30th, November 13th, and 20th. There will be no class on November 6th.

Class is from 6:00-8:30 pm

Location: Mary Zeran Studio, 539 Forest Dr. SE, Cedar Rapids, IA 52403. Telephone # (319) 363-0053.

Please wear comfortable clothing that you can get messy.

Cost is $190.00, I will supply all Golden Paints and Mediums, paper, and tools. To register online, please go to my website.  I've listed all the details.

This workshop has a maximum of 6 students and a minimum of 4.  


Won't you join me?

Wednesday, August 13, 2014

The Well Designed Environment Part I: Art in Our Living Space

As a young artist, it never occurred to me to imagine my art in someone's home. Art was art for art sake, and that was it. If I did consider it in a space it was the traditional white cube of the art gallery or museums.

As an adult homeowner, and someone who made their living selling wholesale fabric to interior designers, my thoughts on art in a residential space changed. I started to think about what I kind of art I wanted to live with and how it impacted my well being.

This month's blogpost starts a series called The Well Designed Environment.  I've gathered a group of experts to share their knowledge and expertise on the subject. Topics include: Art in Our Living Spaces,  Nuts and Bolts...Working With an Art Gallery, Nuts and Bolts...Working With An Artist to Commission a Custom Art Piece, and for those of you who own a business...Nuts and Bolts...Art in the Corporate Environment.

I met George Lowell at the University of Iowa in a sculpture class.  George was one of those students who everything he touched turned to beauty. His small scale sculptural rooms where full of history, and memory, small tableaus of a space in time. 20 years later, I find it interesting to see how he has translated his small sculptures into real life living spaces. He makes his home and business in Chicago, IL.  Please meet George Lowell...


George Lowell

"I hate to think of art in terms of decorating but 
it is difficult to  deny its importance in an interior."

Artwork is a great way to mix it up!


One of my signature design moves is to use unexpected pieces in my interiors.   Mixing styles is a great way to add your own personal touch to your space and keep things interesting.  


Old world pieces mixed with ultra-modern.

  

For example I love to use a tradtional-old world piece of art in an ultra modern space.  The contrast creates visual interest and makes sure you won't have a one note space.

Color is one of a designers biggest tools.


Color is one of a designers biggest tools and it plays a key role in the overall feel a space evokes. Art is a great way to add pops of color as accents or repeat a dominate color already used in the space.


-George Lowell of George Lowell Interiors georgelowell.com

Thursday, July 3, 2014

Mother Nature's Crazy Wild Party!

My daily environment aka studio.
Everyday, I take my two dogs Stella and Henry for a walk.  I use this morning ritual as a chance to get out of the house and studio. It is my time to look at the world around me, change gears from office work to more creative endeavors.  Since I am "klutzy" I am always looking down. Have you ever noticed the the bases of trees?  Especially how gnarled and scarred they are?

Gnarled base of an Oak in my yard.  Notice the moss.

Yesterday, it occurred to me that I should look up. 

The top of the old Oak in front of my house.


I live in a neighborhood filled with 100 year old oak trees. The property I share with my family has 9 Giant Oaks living on the outline. The size of these "Old Men Oaks" is AMAZING!  They dwarf my house.  

The middle.

And here it stands in front of my house.  



Last Monday night, we had a storm!  A crazy, big, lightning, and huge water gushing from the sky sort of storm.  The following day, a wind roared through my neighborhood, and took out several trees.





I feel like I am wandering through a war zone.



Instead of quiet, peaceful quiet...My days and nights are filled with sounds of trucks and chainsaws. 

A friend on Fb said it feels like..."Cleaning up today after Mother Nature's crazy wild party... She's like a shitty roomie... Partied without us and left us to clean up"



Perhaps we are the shitty roommates and Mother Nature is giving us a hint. You know the drill...

Another FB quote:  Global Weirdness



Most of you know I keep my politics to myself.  
I do have some things I hold dear.  
I believe in art.
I believe in being who you are.
And...
I believe in being a good roommate.


"The Heartbeat of It", 12"x12"x2", acrylic, Dura-Lar on cradled panel, 2014 copyright Mary Zeran



Friday, May 30, 2014

To Work Large, You'll Need a Big Brush


"Long and Lean #1", 57"x25", acrylic on Dura-Lar, 2014 copyright Mary Zeran

Have you ever made a brushstroke that is 5' long by 6" wide?  If you haven't, you should.  

Working that large is like harnessing a wild horse...exhilarating and scary, all in the same breath.  It feels dangerous, naughty, out of control.  If you are a woman of my age...(which will go unstated for that matter.),  life has gotten a lot less "naughty".  Taking risks in the studio is about as far as I go anymore.  



This is one of my favorite brushes.  It is a 2"wide, angled, synthetic bristled.
It has a soft feel and is used for painting trim or edges.

One of the mistakes a lot of artists make when trying to create large marks, is to use a small brush.  Like everything in this world,  big marks need big tools.  

There are quality artist brushes on the market, but if you are just starting out, house brushes are great.


By this photo, you can see that I am some what of a pig when it comes to my brushes.  

True confession...paint gets on my ferrule. I don't always get it all cleaned off.  Some of my handles are caked in days, weeks, and months of paint.  That is just how I am.  I admit, I love some of the historical gunk.  

The point of this photo is to see all the different sized house painting brushes I have.  On the right, you can see a 9"pad painter. Paint pads are a fantastic studio brush. Note: they are hard to wash, but WORTH IT!

If you think my brushes are large, take a look at these artists. 

Source:  Fabienne Verdier:
 http://www.fabienneverdier.com


This photo is amazing from the sheer idea.  Paintbrush as industrial tool.  Painting as manual labor.  Painter as "worker".  Let's be honest, painting is hard work.  This photo just amplifies the notion to another level.


More Verdier courtesy of http://monbiblioblog.blogspot.com/2008/09/passagre-du-silence.html

I've always been hugely inspired by Sumi paintings and Asian Art in general.  I love how there is an element of spontaneity and "being in the moment".  I also love the connection to nature and the land.  When I look at the above photo, I'm wondering if the size of the brush would force an artist to be "one with the brush", focusing on the activity instead of any other distractions. This sort of work speaks to me of collaboration, with the brush, the ink, the movement, and your environment. Wonderful.


 shinichi maruyama, found via livingdesign.

Jackson Pollack always spoke about painting as a dance. This photo of Shinichi Maruyama working is a fantastic example of painting as performance, a collaborative dance with the pigment.  This work seems to be attempting to harness nature.  

I love considering how the whole act of making art is the art, not just the finished piece.  What do you think about this notion?

I hope you enjoyed this post. Remember to share it with folks you think might be interested. Keep making art and being creative!  You deserve it! 

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While we are at it,  Summer is coming on fierce here in the Midwest.  I have a couple more workshops to teach and then I am on my annual Making Art Summer Vacation!  

For those of you in the Chicago area,  Saturday the 31st of May is the registration deadline for the  Paint the Music:  Intro to Painting on Dura-Lar Workshop. The class is on Saturday, June 7th from  1-3pm at the Hairpin Arts Center, 2800 N. Milwaukee Ave., Chicago, IL 60647.  If you are in the area, I would love to make art with you!  Go to this link to register.

Wednesday, April 23, 2014

Eye Candy




The Beauty of It All #, 16"x20", acrylic, Dura-Lar on paper , 2014 copyright Mary Zeran, photo credit: Mark A Tade

If you could be in my studio right now, 
the word that would come to mind would be...

DELICIOUS

I've been on a crash, color, theory, course to discover 
and decide what the palette will be for my next series.





My study started when I started using Quinacridone Magenta.  






A lot of my pinks, oranges, and reds
just didn't... feel right.
Tooo salmony. 




I'd also run completely out of good greens.  
All I had left were some strange, dark, phthalo green tones 
that felt odd in a way that made my skin crawl.



As I explored the difference between organic and inorganic pigments. 
I realized I was asking myself...
Cadmium Red Medium or Quinacridone Red?






Hansa Yellow Light, 
or 
Hansa Yellow Medium? 







All this exploration makes me excited to get started 
making "raw materials".  


Can you guess which colors I will choose?




Want to try making the my color wheels?  The divine Miss Patti Brady has written a great article titled "Color Mixing...You can't get it unless you do it!  Not only is doing a color wheel fun, it was relaxing.  Smushing paint and mixing color is like adult finger painting!

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While we're at it.  

Workshops at Cedar Rapids Museum of Art have been a complete joy. 
 I've had the chance to work with some really amazing women.


The next workshop will be all about printmaking. 
We'll be using Gelli plates and metallic Golden Open Acrylic paint. 
Think jello and shiny.  Register at this linkhttp://www.maryzeran.com/art-workshops-schedule.html

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My work has been featured on an international collage blog.  


Read the rest of the article at this link.

Thanks to Beverly and Chad at Artifex Studio,  First Bancorp of Southern Pines, NC 
added 3 of my pieces to their Corporate Collection